Hey puttham pudhu boomi in thiruda thiruda has range of sounds from beat-less to dashing beats stirring emotions. minsara kanna (padayappa changing between western & classical) & udaya udaya song 4m mild 2 heavy arrangements & anjali anjanli pushpanjanli is a tricky composition of soft, medium & loud arrangements. VIC
--- On Wed, 6/4/08, Tapey3 <[EMAIL PROTECTED]> wrote: From: Tapey3 <[EMAIL PROTECTED]> Subject: Multiple emotions in single song of ARR??? (Re: [arr] Re: A ditty to make aditi To: [email protected] Date: Wednesday, June 4, 2008, 10:52 PM Hey Goodbye Nanba/Hey Khuda Hafis from Ayitha Ezhuthu/Yuva switched from mellow to fast. O Re Chori from Lagaan switched between Indian folk and Western classical. --- In arrahmanfans@ yahoogroups. com, Gomzy <gomtesh.upadhye@ ...> wrote: > > For your question if ARR has switched "emotions", you can find out that > In Lamahon ke daman mein from JA is a very good example. > > > On 6/4/08, V S Rawat <[EMAIL PROTECTED] > wrote: > > > > On 6/3/2008 10:53 PM India Time, _Vinayakam Murugan_ wrote: > > > > > Vishal Bharadwaj is one of the most original composers in the industry, > > > > right. > > > > > right up there with ARR & SEL, who compose for the situation rather > > > than impose "item" music. > > > > could you please elaborate what is "imposing an item music"? > > > > > Mayya Mayya and Bidi were composed for two > > > totally different situations . Bidi suited the situation in the film to > > > the T. One would expect a nautanki number to be loud . > > > > > > > I don't subscribe to this "situation" bit. ARR has also composed songs > > which were loud and were good. (examaple? many, his earlier youth songs, > > like muqabla) > > > > VB has also composed songs which were subdued and contemplative (Machis > > - Pani Pani re) > > > > so both MDs are capable of giving both and all types of songs. As such, > > Omkara didn't really have a nautanki situation. It was VB who wisely > > composed a song having nautanki mahaul so the visuals were made in a > > nautanki situation. > > > > NOw, as for as mayya is concerned, it was exactly the similar situaion > > -- a professional girl dancing to public, in which various MDs have > > given Jumma Chumma de de which was loud, and Tezab's > > ek-do-teen-chaar- paanch-chh which was deafeningly loud. and we all know > > how popular these went to become. > > > > But is was probably the first time when such a subdued, almost at a > > whispering level, song was composed for such a public dance situation. > > ARR went against the established "norms" and still came out with a gem, > > a winner, a piece of art. > > > > I was just highlighting that in the same year, two songs composed by ARR > > and VB show that ARR's creation is miles ahead of VB's creation. > > > > I didn't say Bidi was bad song. I did mention that Bidi was a good song > > and I like that one also a lot. I like VB also, though far-second to ARR. > > > > OK, to give credit to VB, let me say that even ARR has never given a > > song in the genre of VB's Machis - Chhod aaye ham teri galiyaan. That > > song was complex in the sense that this single song had three songs > > basically -- a chorus mukdha, then solo stanzas, and then there is a > > sudden switch to a sad version at Dil Dard Ka Tukda Hai. And the > > freshness, the spontaneity conveyed by the song, it was just superb and > > ARR has not given any song like this. > > -- > > > > Back to ARR, which are ARR's song in which there is change of emotions > > "in between"? Not two different songs or different versions of same song > > separately shot in a movie, but a same, single continuous song showing > > two or more emotions, like VB's above song, say sadness and happiness, > > or anger and calm, or comedy and seriousness? Frankly, I am not able to > > come up with any single song of ARR that has switched emotions on-the-fly. > > > > To clarify, there was the song from movie "Black Mail" MD: KalyanJi > > AnandJi, "naina mere rang bhare" which starts with a happy note and in > > the middle switches to sad mode at kajra mera kajra. > > > > another one is Sharabi (one of the rare best of Bappi Lahiri) song > > Intehaa ho gayi intzaar ki which starts with a sad, lost-hope note but > > when Jayaprada comes it becomes all fun-and-dance at Lo main aa gai. > > > > So, has ARR given any such song(s) or has he always remained on "single > > emotional track"? > > > > -- > > Rawat > > > > > > ------------ --------- --------- ------ > > > > Are you searching for a reason, to be kind? > > <b> > > Explore, Experience, Enjoy A.R.Rahman - The Man, The Music, The Magic. > > Only at arrahmanfans. com - The definitive A.R.Rahman e-community. > > > > Homepage: http://www.arrahman fans.com > > Admin: [EMAIL PROTECTED] > > To Subscribe: arrahmanfans- subscribe@ yahoogroups. com > > To Unsubscribe: arrahmanfans- unsubscribe@ ...! Groups > > Links > > > > > > > > >
