Pavan, its "Yeh...yeah" and this vocal loop starts from 4:59 in the Tamil version.
Regards, Sunil On Feb 9, 2008 12:26 AM, arr pavan <[EMAIL PROTECTED]> wrote: > Dude ! with or without understanding lyrics ! such theni voices are rare > & precious and wont be available in hindi genres & one unconventional > voice of arrs is the belch-like sound in the end of saathiya/pachai nirame > song ! hope it is arrs voice erheh pachai nirame is my all time favorite > & no.1 song of arr to me till date. > > Regards Pavan > > > > *|| V i s h w e s h || <[EMAIL PROTECTED]>* wrote: > > > Most unconventional voice I've ever heard is Theni Kunjaramma. I laughed > like hell when I first heard her voice in Pettai Rap!! > > > *vijay krishnan <[EMAIL PROTECTED]>* wrote: > > Shall i tell you few more voices, > > 1) Anupama-------chandralekha,a trend setting song at that time.I had > never heard this kinda voice before > with full western touch. > 2) Chinmayi-----KMI, she was 13 when she sang that song, emoting a > mother's feeling > 3) Karthik-----Baba, Maya Maya and Shakthi kodu, it is the way opposite to > what you mentioned about > Lataji > > ----- Original Message ---- > From: Vithur <[EMAIL PROTECTED]> > To: [email protected] > Sent: Wednesday, 6 February, 2008 7:42:46 PM > Subject: [arr] Unconventional Voices > > http://celluloidran t.wordpress. com/2008/ 02/06/unconventi > onal-voices/<http://celluloidrant.wordpress.com/2008/02/06/unconventional-voices/> > Rehman has had his favourites over the years — Hariharan and Sukhwindara > Singh come to mind instantly. But every once in a while, he has made an > inspired choice that completely transforms a number from good to great. > These aren't conventional voices, and wouldn't work for most songs. But you > cannot imagine how certain songs would sound if sung by someone else. Here > are my top five picks in this category (links attached, in case you wanna > lusten to them): > 5. *Raasaathi* (*Thiruda Thiruda*): My favourite song in that album. Also, > one of the songs that Shahul Hameed is best remembered for, other than > *Usilampatti > pennkutti* in *Gentleman*. Other than probably a base guitar somewhere in > the background (and I'm not even sure about that), this song is *a capella > *, with a lot of humming in the background and Shahul's plaintive voice in > the lead. (Listen here <http://www.dishant.com/album/Thiruda-Thiruda.html> > ) > 4. *Chikubukku chikubukku rayile* (*Gentleman*): Basically, this one makes > the grade because of how it reinvents Tamil pronunciation. If someone spoke > the language like that in my presence, I would have to physically restrain > myself from punching his lights out, but the song… well, I can't imagine any > other way to sing it. (Listen > here<http://www.raaga.com/channels/tamil/movie/T0000053.html> > ) > 3. *Lukka Chhuppi* (*Rang De Basanti*): I love Lata Mangeshkar, okay? My > dad's an old Hindi film music buff, so I grew up listening to her. But > hearing her sing *Jiya Jale *in *Dil Se* was the musical equivalent of > seeing Rajni romance Deepika Padukone. Her voice sounded tired, strained, > and clearly much older than the woman being depicted on screen. To me, that > song is one of Rehman's eminently forgettable choices. But *Lukka Chhuppi*… > who else could have conveyed Waheeda Rehman's heartbreak at losing her son > so well? The opening lines are simple enough: *We've played enough hide > and seek/Now come out and show yourself*. The tune isn't exactly a sad one > either. But the evident ageing of Lata's voice and the tragedy being > depicted on screen make it what it is. I don't think there are too many > instances where Lata's voice would qualify as unconventional, but my guess > is that most music directors would've ended up using a much younger voice > here. Rehman chose well, and it made all the difference. (Listen > here<http://www.dishant.com/album/rang-de-basanti.html> > ) > 1. *Vidai kodu engal naade* (*Kannathil Muthamittal*): The scene depicts a > village of Sri Lankan Tamils being evacuated before the airforce bombs the > place into oblivion. No matter what your politics, the sight a bunch of > people leaving the place they had called home for so many years is, you will > agree, heart-rending. The lyrics convey a sense of loss that remains with > you long after the movie has ended. But what truly elavates the song is the > quality of M S Viswanathan' s voice. You don't hear finely modulated sorrow, > but something raw and visceral. (Listen > here<http://www.musicindiaonline.com/music/tamil/s/movie_name.4619> > ) > > -- > regards, > Vithur > > A.R.RAHMAN - MY BREATH & LIFE FORCE > . > > > > > *" *The *search* is more important than the destination " > - a r rahman - > ------------------------------ > Never miss a thing. Make Yahoo your > homepage.<http://us.rd.yahoo.com/evt=51438/*http://www.yahoo.com/r/hs> > > > ------------------------------ > 5, 50, 500, 5000 - Store N number of mails in your inbox. Click > here.<http://in.rd.yahoo.com/tagline_mail_4/*http://help.yahoo.com/l/in/yahoo/mail/yahoomail/tools/tools-08.html/> > >
