Hey man...

those were some very interesting finds....
keep going...

cheers

--- Pravinder Sheoran <[EMAIL PROTECTED]>
wrote:

> hi guys
> i just saw GURU third time in cinemas
> this viewing was dedicated to Rajiv Menon 
> his camera work is excelent
> no doubt guru is one of the finest works of mani
> ratnam
> and one of the reasons is the photography by rajiv
> menon
> 
> it was very very intresting to see the movie through
> the eyes os the 
> cameraman
> 
> rajiv menon has captured all the scenes very
> beautifully and 
> perfectly
> he captures not only the charecters in the scenes
> but surroundings 
> also very well
> 
> for example, when abhishek comes down from train
> after meeting 
> aishwarya first time, just see the sunrise at the
> back
> very very beautiful
> 
> mani ratnam and rajiv menon have worked a lot on the
> minute details
> 
> for example, when abhishek goes to school (where he
> gives a watch as 
> present to his father), if you look carefully at the
> background the 
> teacher in the class is constatly asking questions
> from different 
> students, and they really are giving answers.(and if
> any of you guys 
> studied in the government schools with open class,
> we used to get up 
> same way as children did when abhishek and the
> tacher passed near to 
> the class. Look at the first boy of the class, he
> sits down exactly 
> in the same way as the children do coz they r full
> of energy)
> 
> Everything has been tried to be natural, like camera
> is your own eye.
> When abhishek is taken to the hospital, and they
> show the sea (or 
> big lake) for 5 seconds, the camera takes the view
> very close from 
> the surface of the water, and a few drops of water
> appear on the 
> camera screen. Not a big deal but so natural and
> innovative.
> 
> Same way, when they show abhishek at train station
> after marriege, 
> the camera starts from the front of the train and
> goes all the way 
> to the top and then gradually approaches to 3rd or
> 4th coach, In 
> between the camera has to pass through steam, so
> water vapours 
> gather at the  camera screen.   All looks ao
> natural.
> 
> The voices from the surroundings are recorded very
> carefully.
> For example when abhishek goes to the house of
> madhvan and when they 
> are talikng you can clearly listen to the sound of
> three-vehilers 
> passning from outside.
> 
> Even the activities of other actors, when main
> actors are focused on 
> camera, are taken care of very well.
> For example in the scene when abhishek is having the
> party at the 
> home (fight with arya babbar), when abhishek is
> talking to everyone, 
> you can see that aishwarya is standing far behind in
> the scene, you 
> can only see her if you are carefully observing the
> activities in 
> the scene. She laughs and talks with her brother,
> she only looks 
> towards abhishek when arya babbar starts fighting
> with abhishek, you 
> won't even see her if you are watching the movie
> first time, but if 
> you keep focusing on her, her face expressions keep
> changing 
> according to the situation although she is almost
> invisible in the 
> scene.  That means every situation and scene was
> lived (not acted).
> 
> Similarly when the song EK LO EK MUFT is going on,
> and if you are 
> observing all the dancers from bottom (where
> abhishek is dancing)    
>  to the top of the hill, you will realize that each
> and evryone 
> person is dancing the same steps as abhishek and
> very accurately. 
> Every single person shown in the scenario was
> actively involved.
> 
> 
> Lighting is also taken care of very beautifully and
> very special 
> ways are invented.
> For example, when guru goes to accountant's house to
> tell him to 
> contact all the newspaper guys, the main light
> source in the scene 
> is headlight of guru's car.
> 
> Did someone notice the mirror at the back, in all
> the scenes where 
> guru and sujata are on swing, you can see everytime
> that no one 
> comes in the way of mirror.
> 
> Very minute details are taken care of in GURU.
> Remember when guru visits mithun's house and meets
> madhvan first
> time.well in the begging guru gives sweets to all
> the persons 
> present in the room and everyone keeps eating the
> sweets till they 
> are finished and then clean their hands by rubbing
> one with other.
> 
> Well guys i have forgotten half of my intresting
> findings. Also its 
> not possible to convert visual experience in exact
> words.
> I was so lost in observing the camera activities
> that i hardly 
> listened the dialoges. 
> 
> WELL GUYS, WHEN A MOVIE IS MADE with SUCH AN EFFORT,
> WE SHOULD TRY 
> TO APPRICIATE THE EFFORT.
> 
> MY NEXT VISIT TO CINEMA FOR GURU WILL BE VERY
> SHORTLY, AND THIS TIME 
> IT WILL BE DEDICATED TO A R RAHMAN ONLY.
> YES, MOST OF THE TIMES I WILL BE THERE IN CINEMA
> CLOSING MY EYES (BY 
> PUTTING HAT ON MY FACE) AND LISTENING EVEN TO THE
> LITTLE MOST BEATS 
> IN THE BACKGROUND MUSIC. 
> 
> AND I AM SURE I WILL BE HERE WITH SOME MORE
> INTRESTING FINDINGS.
> I AM EAGERLY WAITING TO KNOW ABOUT YOUR FINDINGS
> GUYS.
> 
> PRAVINDER SHORAN 
>  
> 
> 



 
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