Love dons a surreal garb


WHERE THOUGHTS PLAY CUPID: Ah... Aah ...

Ah ... Aah ...

Genre: Romance
Director: S. J. Suryah
Cast: S. J. Suryah, Nila
Storyline: Suspicion enters the lives of a pair of lovers and plays havoc.
Bottomline: Love with a code of conduct!

Unlike Jeeva's `12B,' which confounded viewers, Annai Mary Madha Creations' `Ah 
... Aah — Anbae
Aaruyirae' (U/A) prepares you for what's to come, with a clear intro that melds 
beautifully
with the opening song sequence. It is the story of estranged lovers re-united 
by their own
thoughts — only that their feelings for each other are given a human form. Thus 
we have another
pair along with the original.

And if you saw the influence of the Hollywood film `Big,' in `New', in `Ah ... 
Aah ... ' you
notice traces of the Patrick Swayze, Demi Moore, Whoopi Goldberg hit, `Ghost.'

After `New' Suryah probably feels double entendres are his film's USP. That's 
why in many
sequences you have dialogue obviously censored but clearly mouthed. Also 
sublime love slips
into a mere physical plane very easily.

The screenplay is smooth but the story falls into a routine quagmire in the 
climax, thus making
`Ah ... Aah ... ' sag towards the end.

How it goes

Shiva (Suryah) and Madhu (Nila) represent a permissive mindset, as they are 
lovers living
together. Things come to a pass when the possessive Shiva grows suspicious of 
his girlfriend
and they decide to go their own ways. Suryah the filmmaker, has proved himself 
even earlier.
But the actor has a long way to go. Looking painfully thin, Suryah is also too 
loud-throated
for a young, broadminded man. Strangely his voice that booms into your ear, and 
his intonation,
remind you of comedian Paandu! In fact certain sequences, such as his showdown 
with Nila, offer
much scope, but the actor fails to make use of them because of wrong modulation.

However, as a dancer he shows incredible agility. Nila, the debutant, is 
Suryah's offering of a
Simran-like face. Santhanam is slowly but certainly making his presence felt as 
a noteworthy
name in the comedy line-up. But the actor had better watch his weight.

You may never come across a psychiatrist like her, but for Urvasi even one 
scene suffices to
make you laugh. How is it the real Shiva suddenly understands that the 
look-alike whom he has
been trying to chase out all these days is not the real Madhu?

Also Suryah could have avoided the lengthy sermon in the end.

It's not for nothing that Vaali remains the uncrowned king of words. The lyric 
of the title
number in particular is out of the world in content and thought. Hats off to 
the septuagenarian
song-writer! `Anbae Aaruyirae ... ' zestfully sung by A. R. Rahman, the 
melodious
`Mayiliragaai' and the charanam of the `Thala Thala ... ' song are a treat from 
Rahman.

>From production to direction, story to screenplay and dialogue to acting, `Ah 
>... Aah ... ' is
a Suryah show through and through. When the onus is immense, certain 
departments tend to
suffer. Here his acting does. Nevertheless you have to give it to him — he has 
tried something
different though with the common line of pining love.

MALATHI RANGARAJAN



"We neglect our cities at our peril. For, in neglecting them, we neglect the 
nation."
-John F. Kennedy




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