In the first week of sales toward the February 2006
Toronto world premiere of the musical The Lord of the
Rings, theatregoers snapped up $7 million (Canadian)
in tickets, a spokesperson for the Toronto producers
confirmed. 
  
Tickets to the lavish stage musical went on sale May
15 - nine months before its premiere. Interest from
U.S. theatregoers was reported as intense.

The $27 million (Canadian) production condenses the
three fantasy novels by J.R.R. Tolkien - "The
Fellowship of the Ring," "The Two Towers" and "The
Return of the King" - into one 3-1/2-hour event,
premiering at Toronto's Princess of Wales Theatre Feb.
2, 2006, toward an opening night of March 23, 2006.

The burst of sales in the first 24 hours (an exclusive
internet offer starting 9 AM May 15 resulted in $1
million) was an early suggestion that there will be a
healthy crossover of the many fans who cherish the
trilogy of fantasy novels and its motion picture
spinoffs.

The Lord of the Rings is a Kevin Wallace Limited
Production, presented by Kevin Wallace and Saul
Zaentz, in association with David and Ed Mirvish and
Michael Cohl.

Mavens who can recite passages of the best-selling
books have been heartened by the news that the show
will seek to musically create the otherworldly quality
of the quest tale rather than serve up Jerry
Herman-esque numbers.

One might cringe imagining a quirky show tune of sweet
admonition from Frodo called "Oh, Sam!," about hobbit
pal Sam's dogged faithfulness. Don't expect it:
Traditional musical theatre is not what India's most
popular composer, A.R. Rahman, and the Finnish group
Vrttin, collaborating with Christopher Nightingale,
write.

What would the elves sing? What is the sound a hobbit
dances to? Can an orc carry a tune?

Expect varied Asian- and European-influenced sounds to
suggest the many tribes of the story.

The book and lyrics are by Shaun McKenna and Matthew
Warchus.

The international creative team is led by acclaimed
director Matthew Warchus (Broadway's recent True West,
Life x 3, Follies and Art) and includes award-winning
designer Rob Howell (set and costumes) and
choreographer Peter Darling.

Casting is ongoing. International performers are being
sought, as long as they can work legally in Canada.
Auditions continue throughout the summer, with
rehearsals scheduled to begin in October 2005.

The auditions have been so physically demanding that
actors have passed out in the process.

The show will boast an ensemble of 65 actors, singers
and musicians, and condenses the three "Rings" novels
into one 3-1/2-hour event.

"Teams of engineers, carpenters, painters, welders,
prop-makers, armorers, cutters and seamstresses are
focusing their efforts on realizing the design for the
stage," according to production notes. "After an
eight-month build, Rob Howell's inventive and
spectacular stage floor, weighing 30 tons and costing
$1.2 million (Canadian), is nearing completion in the
U.K., ready for shipping to Toronto."

In production notes, director Warchus said, "To read
the novel is to experience the events of Middle-earth
in the mind's eye; to watch the films is to view
Middle-earth as though through a giant window. Only in
the theatre are we actually plunged into the events as
they happen. The environment surrounds us. We
participate. We are in Middle-earth."

Of the casting, which began in recent weeks, producer
Kevin Wallace said in a statement, "The ensemble of
actors we engage for The Lord of the Rings will come
from different backgrounds. The text requires
classical actors; the songs demand a unique vocal
style from the company. Many of the acting company
will be multi-skilled with acting, vocal and/or
physical theatre skills. As all the species of
Tolkien's Middle -earth - hobbits, elves, orcs, men,
etc, will appear on stage, the actors have to be
sufficiently physically adept to take on the diverse
characteristics of each

"In addition there are some spectacular sequences that
require members of the ensemble to have specialist
circus and/or stage-combat skills. Therefore, we are
also looking for a core group of these specialist
performers to join the company." 

As the Hobbits of the tale are child-sized creatures,
men who are 5-foot-7-inches or shorter are being
sought. To play the warrior folk, men must be
5-foot-11-inches or taller. 

"Only Canadian citizens or those eligible to work in
Canada need apply," according to a casting notice. 

The creative team includes Simon Baker (sound), The
Gray Circle (moving image design), Paul Kieve
(illusions direction), Laurie Battle (Tolkien creative
consultation). Christopher Nightingale (musical
supervision). Orchestrations are by Nightingale, A.R.
Rahman and Vrttin. 

Ticket prices range $56-$125 (Canadian). For ticket
information, visit www.lotr.com or call TicketKing at
(416) 872-1212 or (800) 461-3333. For group inquiries,
call (416) 593-4142 or (800) 724-6420.



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